I Have Come Not To Bury 2012 But To Praise It (Reflections on the year)

 

Just felt like a good image to kick this off with because EVERYONE loves the word FREE!!!! 

It's been awhile, largely do to the holidays, partly do to my own laziness to be frank, but then again since I do this as something fun and not as a job, or for pay, I suppose there's not really an official schedule, it's just me trying to get a blog out there every so often when I have something to talk about instead of just a long run-on sentence that I will end now.

I figured this time of year was a good one to get back on the horse and what better way to kick it off than to follow the trend of looking back on the previous year and making up my own little list! Haven't done that in awhile (2010 to be exact) so I thought it might be fun to look back on the things I enjoyed about 2012...just the things I enjoyed because, well, I feel like I generally hit on enough of my perceived negatives in comics AND so does most of that darn internet as well.  So let's look at the things I loved, starting with my two  

FAVORITE BOOKS OF 2012:

First up, by a longshot, is Scott Snyder & Greg Capullo's Batman book. With gorgeous, sometimes terrifying, art from Capullo that perfectly syncs up with the tale being spun by Snyder, this book helped quell any fears I had about the New 52.  Yes there are still some major questions of decompression and continuity, particularly where Damian Wayne is concerned, but from the "Court of Owls" arc that started in August 2011 & continued into 2012 to the "Night of Owls" story in the main book (as well in the Bat-Family titles) and the current "Death of the Family" arc spotlighting The Joker, I am hard-pressed to name a moment when this book has faltered.  Even Batman #12 (the "filler" issue) that really introduced Harper Row and was done by Snyder & Becky Cloonan (the only issue thus far NOT drawn by Capullo) was quite a quality piece of business.
Snyder has quite successfully melded elements of the spandex genre with horror, mystery, and suspense as well as playing up the familial aspects of the Bat...family, particularly with the new wrinkle in Nightwing's origin and in the driving impetus behind the "DOTF" storyline.
As for Capullo, well the man I first discovered waybackwhen on X-Force and then Spawn has exceeded my expecatations beyond measure.  Admittedly I was tentative as to how he would pull this one off but visually he has hit all the right marks.  His Batman is one of power generally speaking but then he throws out a cover like this:

Or panels like this:

That image, from Batman #5, was indeed printed upside down in the comic which, while initially jarring, was an amazing and incredibly brave choice to make.  It's one of my favorite issues of the book so far, not only because of the art choices, but because it is an issue that absolutely tears Bruce apart and kind of harkens back to his father's lines from the movies, "Why do we fall down? To pick ourselves back up."

This is the best book of 2012 for me but it is followed in close second by:

Rick Remender & company's Uncanny X-Force book (which was also my favorite new book in 2010) was also up there as one of my faves but in this case it was largely due to the story that unfolded rather than the art/story combo pack of Batman.  Also, another reason it takes a 2nd place to Batman is because while I enjoyed every moment of Batman, I was not a very big fan overall of the "Otherworld" story arc that ate up issues #20-24.  It had it's character moments for me, particularly anything involving Fantomex & Psylocke, but I don't care much for Captain Britain and his pocket of the Marvel U so it didn't work for me as a whole.
Still in terms of the overall story Remender presented, and particularly the "Final Execution" final, this is definitely one of the highlights of my comic book year.
The emotional resonance of the Dark Angel arc that wrapped in 2011 carried the book through to its conclusion and ultimately changed all of the characters in this story.  Remender's portrayal of Deadpool has quite possibly been my favorite ever, the story of Genesis and his temptation was gripping, the fate of Fantomex (he's a Grant Morrison creation, of course I love him), the proper resolution of the Daken/Wolverine story, it all felt, well, epic.

As an aside to another of his projects, I am also digging how Remender has taken the seeds he planted in the "Deathlok Nation" arc of 2011 and carried them over to his current "Secret Avengers" run that is wrapping up shortly.

Now given that Uncanny X-Force was only 37 issues (40 if you throw in the Fear Itself mini) including its two Point One books, I certainly hope gets an Omnibus treatment down the line.  If nothing else, I do hope that Marvel puts the "Dark Angel" and "Final Execution" arcs into one collected edition for each instead of the current two volumes into which they are broken both divided.

As for some other faves of 2012, I would suggest you pick up: Scott Snyder's Swamp Thing, Jeff Lemire's Animal Man, Geoff Johns' Aquaman, Robert Kirkman's Walking Dead & Invincible, Mark Waid's Daredevil, and Jason Aaron's Wolverine & The X-Men.  For a late entry into the field, a book that only just started in the last two months of 2012, try Brian Michael Bendis' All New X-Men...that one has the potential to be my favorite of 2013.  In fact, let's give it the award for:

BEST NEW BOOK OF 2012

I had some serious doubts about how the premise of this book could have legs and the first issue didn't do much to assuage those fears.  In fact it pissed me off because the pages Marvel had solicited to tease the book were straight up the last five pages or so of the book!  That's not a tease, that's a spoiler with no ALERT!

So how does a book with only 5 issues under its belt go from pissing me off to being my "best new"?  Patience and voice, I had the patience to let the story unfold and Bendis' gave the characters a voice that I felt fit.  I mean his best Marvel work (Daredevil aside) has been writing teenagers & high school kids so using the original five X-Men is perfect for one.  For another, aside from a rough spot in issue 3, I think he has given a strong voice to adult Cyclops after AvX, and in some ways Consequences, did him so much damage.  I also appreciate the fact that Bendis flat out addressed the deus ex machina of the entire series by having EVERY character basically say "Professor X is just going to erase our memories as soon as we go back to the past".  It is an obvious out that anyone could have called before picking up a single issue of the book and it was a relief to see it addressed, see the characters accept it as fact, and still decide to go on their mission regardless of that outcome.  Thank you Bendis...

The wonderful art by Stuart Immonen doesn't hurt either!  I hope this book continues the level of quality that 3/5 issues have had and I also hope the Bendis/Chris Bachalo Uncanny X-Men book is at the same level, if not better.

Continuing the tangential nature of this whole list (since I don't really have a format or plan), mentioning Bachalo and Immonen takes my mind to:

MY FAVORITE ARTIST OF 2012: JH WILLIAMS III

That's just a tiny sampling but I think the pictures & layouts speak for themselves. I could look at the pages & covers every day without a bit of text...creative, unique, and beautiful.  I can't wait until this comes out:

As for runner-up selections: obviously Capullo as I raved about earlier, Chris Burnham on Batman Inc, Ivan Reis on Aquaman, and while I'm not really digging the story (not bad just not terribly interesting), what Francis Manapul is doing on Flash is absolutely amazing visually!  Check out this story at Bleeding Cool and this sample:

And the random train of thought went like this Flash...Justice League...Shazam.....

BEST BACK-UP FEATURE

The SHAZAM back-up in Justice League has been blow away awesome in all the ways that the core feature has not been.  Geoff Johns is penning a great coming-of-age tale in just a few pages every month, and that Zero issue above was a godsend because it focused exclusively on the tale of Billy Batson and company.  JL, to me, has felt soulless in the way a big Hollywood action blockbuster can...it has all the big names, all the big creative talent, but it is still just a set piece for big explosions. SHAZAM has been small and meaningful, a story about how I think a kid in Billy's situation would honestly react to suddenly becoming one of the most powerful beings on the planet.  Toss in Gary Frank's amazing artwork (add him to that list above as well) and this story is a surefire hit that I hope gets a collection to call its own when it wraps up (which I would presume would be around Trinity War time).  JL is showing some promise with the newly started Aquaman man arc and it isn't bad by any means, just lackluster, but fortunately the addition of SHAZAM make the book worth the price tag.

Well since that blurb didn't lead my brain directly into another category, I'm just throwing one out there:

BEST "IT'S NEW TO ME" BOOK

I wrote about this "recently" (if you consider November recent) so I'm just pulling a Copy & Paste from that blog:

First up was some back-to-back Robert Kirkman love starting with the "Invincible" Compendium.  Another of his Image books, this one was a book I'd been told repeatedly to read but, since I wasn't getting to it, a friend of mine got it for me as a birthday gift. Well I can say that I'm glad I waited to read it because it was great to read this story...well at least its first half...in one collection! 

To sum it up as much as possible without ruining too much, this one is the story of a kid named Mark Grayson whose father is a superhero and then said kid discovers that he too has superpowers!  It's a story of father-son relationships, of the dynamic in a family with two heroes, a family in which the heroes aren't having to hide it from their family...just the rest of the world of course.

Yet it it also a coming of age story, a tale of betrayal and disappointment, of friends and lovers...essentially it is a tale of life as told through the POV of a superhero kid. High school, college, girlfriends, teams, villains, friends, and aliens are all a part of this tale and by the way, it is quite graphically violent.  That is a trait of this series that I find very intriguing not because I'm a blood mark, but because of the color scheme of this series...it's bright and vibrant, alive I guess you could say, a stark contrast to that other Kirkman work of note: "The Walking Dead".

"Invincible" is available right here in a handy-dandy Compendium that collects not only the first 47 issues of the series but also the Zero issue, an issue of The Pact series, and also excerpts from the 2004 Image Comics Summer Special.  I can't recommend this book highly enough and I cannot wait until there is a Volume 2 Compendium released, which I would imagine will come out shortly after the 100th issue is released.

Other nominees for that little prize include: Neil Gaiman's Sandman (which I only just started at the end of the year so figured it didn't quite qualify here), as well as his Eternals book, shockingly Brian K. Vaughn's Mystique in its rather unique take on the villain as well as his Runaways books, Mark Waid's Captain America run, and Warren Ellis' Thor which, although I wasn't digging the art of Mike Deodato and it isn't Ellis' best work, I thought it was an interesting take on a character I generally don't care about outside of the movie franchise...

What a segue...

BEST SUPERHERO MOVIE OF 2012 (tie)

Yeah...I couldn't decide...I love them both equally and for different reasons.  Click on the poster for each if you want to read my original thoughts on each movie from when they came out.  As for my opinions since being able to watch them back from the comforts of home, not much has changed.  In fact, I think it's safe to say my love for what each of them brings to the table has only gotten deeper.

Avengers is fun and every bit that Hollywood action movie blockbuster BUT with substance and a humor that to feels deeper than, say, a Battleship probably did (to be fair I didn't see the movie so it COULD be the Citizen Kane of action flicks for all I know).  It made me WANT to see sequels and prequels and threequels and spin-offs and got me excited for what is to come in the future of the Marvel Films side of the Marvel U.

DKRises (I feel obligated to write out Rises when I do that because, prior to the movie, to comic book fans DKR meant Dark Knight Returns) was the exact opposite in so many ways.  It had its fun but it, as expected, was more serious in tone and smaller in scale in terms of its threat.  Where Avengers was about the forging of a legacy and explosions, DKRises was about the legacy itself, about identity and worth, and of course, about big explosions ;-)  It was a fitting end, especially the unveiling of the statue, and although I do not expect Joseph Gordon Levitt to be Batman in the Justice League movie, I would be ecstatic to see him continue on in that role.

For those who may have read Grant Morrison's JLA, the Green Lantern of the piece was Kyle Rayner and, while surrounded by Superman, Wonder Woman, and Batman to name a few, he was in the position of living up to the legacy of Hal Jordan, the "Greatest Green Lantern". I would find it intriguing if, in the movie, it was Batman in that role of being the one having to live up to the expectations of his predecessor while surrounded by Supes, WW, and GL...especially if those characters were clueless as to the true identity of Batman.  I'm just picturing a JGL Batman coming up short and finally, in a moment of trust and confidence, revealing the truth to his compatriots which in turn leads them to unveiling their truths to each other.  Imagine a Batman who is the one looking for acceptance instead of being the one on the fringes...

Anyway....how about:

MY FAVORITE COMIC BOOK TOY OF 2012

I don't do toy reviews...I solely base this on how cool I think he looks in my display stand!

COOLEST COMIC CON GIVE AWAY OF 2012

 Pick one up on Ebay like I did and scare the crap out of people!

 Man how did I forget this one:

BEST WRITER OF @)!@

Scott Snyder may be terrible at responding at Twitter to compliments or criticisms, at least to me, but given that I am a superhero guy first and foremost, and with that a Batman guy (my ten year old self would be shocked, he tried to will claws to pop out of his hands), I must pick Scott Snyder.  I think you can just go back up to the fave book blurb and see the why where Batman is concerned but it is also because of the stellar work he has done on Swamp Thing and American Vampire.

I'm sure people who know me and read this are shocked I didn't just default pick Grant Morrison for Batman Inc & Happy but I think I have to automatically disqualify him BECAUSE he is my favorite overall.  It's just too easy to go there...

As for other potentials, I'd have to add in Jeff Lemire for his work on Animal Man, Geoff Johns BUT only for his Aquaman book, Jason Aaron for Wolvie & The X-Men, Kirkman for Walking Dead, Remender for UXF...


BEST MINI-SERIES OF 2012

Clone Jesus Christ, attach a former IRA member as his bodyguard, turn it into a reality TV show, and see what happens!  That is the most bare bones premise of Sean Murphy's amazingly nuts mini-series that just recently wrapped up.  I still need to read the final issue but I can, without a doubt, say this was my fave mini of the year.  Its black & white art is a sight to behold, the story is fun and chaotic, potentially controversial to some, heartfelt, and sad all while painting a pretty believable portrayal of how Chris (the clone) would likely respond to the circumstances in which he finds himself AND the fashion in which the world reacts to his presence.  The individual issues are likely still available at your LCS but the collection doesn't come out until April.  If you're interested in pre-ordering it just click here and take a look at how great this one page looks (also throw Murphy's name up there too in that fave artists category now that I think about it):

Runner-up for this one, but a very very close one at that, is definitely James Robinson's "The Shade" 12 issue maxi-series that continued following a character from his epic run on "Starman" that I wrote about in 2011. It was a great continuation of the journey of that character, picking up basically right where he was left at the close of Starman and finally giving us the origin Robinson had only only teased at for years.  The fact that the book boasted a collection of artists like Darwyn Cooke, Frazer Irving, Gene Ha, Jill Thompson, Cully Hamner and Javier Pulido only served to enhance how awesome of a tale this was and one I cannot wait to read back in its entirety...as soon as I'm done with the dozen other reads I have waiting for me.

BEST ANNOUNCEMENT OF 2012

The return of Sandman!

MY MOST ANTICIPATED OF 2013

In addition to that one right above, I also want to add in the debut of Bendis' Uncanny X-Men, the Riddler in Batman, Trinity War, Ultron War (FINALLY!), Dog Logan in Wolvie & The X-Men (seriously), and the return of Jean Paul Valley!!! Yeah there is no way in hell that last one is happening in 2013, 2033, or any other year...

I am also hoping for something from Morrison's Multiversity, Frank Quitely & Mark Millar's Jupiter's Legacy, and pretty excited to make my way through the rest of Sandman (starting Vol. 4 this weekend), and read the Spider-Man Marvel Masterworks Vol. 1, Iron Wars II, and volume of Matt Fraction's Thor I picked up yesterday for only $20 combined!  Gotta love the discount book store!!!  Oh yes, and I just received Scalped Vol. 1 & Fatale Vol. 1 from Amazon as well!  So I already have a great deal of things to read through in the first full week of the year!

OTHER OPINIONS

I asked some friends & people on FB/Twitter for their favorites of the year and this is what I got back:

Duke from Capes & Cowls - Batman & Uncanny X-Force
Pat - Saga
Ryan - Anything from Frank Tieri (sarcastic trolling)
Eric Downes on FB - AvX (only thing he read)
Greg Rice - Uncanny X-Force & Batman
Michael Maberry - Hawkeye (should have included that as my best new series runner up...or tie, make that tie)
Craig - "sorry im still stuck in my nothings better than millers batman bubble oh and the boys but im still way behind"

And my favorite answer from Midge who doesn't read..."the superman one, in the black bag. Bet it's great, but it's in the bag so I don't know #worthmillions"

So I think that about wraps up my look back on 2012 and I won't make any promises this time about what I want to write about next or when it will get done (just discovered I said I was going to write about Rogue War like a year ago....not sure if I ever actually did that!), but it won't be another 6 week gap like this one. I bid you farewell until next time with two plugs for some friends of mine.  The first is for a Deadpool web series starring my buddy Damian in the lead role:

And the second is for my friend Rob's short film "No Clowning Around":

Go show some support for each and, as always, support your Local Comic Shop and if you live in the Philly/Bensalem/Bristol/Croydon area then make sure it's Capes & Cowls you're supporting!

What I've Been Reading...

 Yeah, that's the place I go buy my books in Bensalem, PA...go give them business cause I said so.


Anyway,  after writing a handful of blogs pontificating on whatever randomness crossed my mind I figured I'd write something of a different tone; not quite a review, just a little look at the various books I have read in the last few months.  It has been an assorted lot of things so let's just delve right into it, and I'll do my best not to spoil too much on the way:

So "Zenith" was a UK-based title written by Grant Morrison (I know what a shock) that originally was published in the 2000AD serial over the course of 1987-1992.  When collected it ends up in a 5 volume series that is insanely difficult to track down at a reasonable price.  Seriously, go check out Ebay right now and IF they are even listed (which some are as I write this on 11/18), they are going for $63.00 at starting bid.  I somehow lucked out and managed to pick Book Two off the UK Ebay store for a relatively cheap price...somewhere in the $20 USD price range.

I believe this would be the oldest Morrison story I have ever read, essentially a tale of a highly reluctant superhero/rock star (Zenith) who is the child of other government-created heroes.  Zenith is a rather obnoxious character, little redeeming value, truly only interested in how he can use his powers to further push his musical career to superstar status.  There isn't much likeable about Zenith in Book Two, and knowing what I do about the future progression of this series that doesn't seem to be anything that changes, but what makes it interesting for me as a fan of Grant's is to read a story that is akin to a mission statement.  There are certain themes that permeate his work, certain character types that appear in nearly every work Grant has penned, and this (since it is the oldest of his works I've read) is a birthplace for those.

Zenith seems like an archetype for King Mob ("The Invisibles") or what Ned Slade ("The Filth", more on that next) may have been before the Greg Feely persona was adopted. Hell, he seems like what Grant Morrison may have wished he was at this point given that he has always dabbled in music to varying degrees. In addition to that character, the villains of this tale (The Lloigor or "Many Angled Ones") could just as well be The Outer Church (again "The Invisibles").

Given that I only have the one small part of this story as a reference point, although I have read a detailed write-up of the series in Timothy Callahan's "Grant Morrison The Early Years", I can only assume that the whole of the series serves as template for some of Grant's later work.  I hope I can track down the other four books soon, at a price point that isn't completely insane, or that they finally get collected into one edition and solicited in the United States.  If you're interested in reading more about "Zenith", check out the wiki page here.

Another of the books I recently read was another Grant Morrison creation in "The Filth".  Originally released in 2002, I read 11 of the 13 issues as they were released but somehow managed to miss a few in the middle.  I'd been sitting on the trade since my Wizard World Philly Morrison TPB binge-buy, but finally had the time to read this story as a whole a few weeks ago.  It was certainly worth the wait...

This story feels a culmination of sorts, as if this is the world that could have resulted if The Invisibles had failed, if The Outer Church had accomplished their goals of neutering everyone and taking away individuality.  This is a world of ultimate control and maintaining the status quo. After all the primary goal of The Hand, of which lead character Greg Feely/Ned Slade is an agent, is to keep "Status Q".  This mini, through a series of "adventures" that could very well  have been written by Garth Ennis given their hyper-violent & hyper-sexualized content, throws a barrage of questions at the reader about identity, sexuality, that damnable fourth wall, control, societal norms, and black devil sperm.  It is a mind-fuck in all the right ways and it certainly had me doing some internal investigation as I read.

Want one example of the deconstructive nature of this piece? The Hand is in fact a giant hand, holding a pencil, and there are instances that involve people breaching the fourth wall of a comic (within the comic) and becoming real people in "Filth" world.  If you're a fan of Morrison who has yet to read this, or if you are a fun of any comic book that is, in some ways, a commentary on the medium itself, then "The Filth" is definitely a book for you. Plus Chris Weston's art is awesome, and the design work on the trade covers may be my favorite ever.

If you want to read more about "The Filth" check out the wiki here, and if you've got interesting purchasing it, then go here.  I don't see a dime from Amazon for the reference so don't think this is just an attempt to make money with that link =)

I am unabashedly a fan of Scott Snyder's since the first issue of "Detective Comics" that he penned. I thought he brought a wonderful feel of detective noir, mystery, and horror elements to Dick Grayson's Batman and explored aspects of the then-former Nightwing that were not being explored in the other Bat-Family books.  He gave Dick a personality very distinct from that of Bruce Wayne, rather than the interchangeable one heaped upon him by Tony Daniel in the pages of "Batman" or Paul Dini in "Streets of Gotham" (Side note: Daniel has done a great job on Bruce since the start of the New 52).

Ever since I started reading Snyder's take on Batman, I have wanted to read something more from the first creator I have totally taken to, probably since discovering Grant Morrison, and was intrigued when I was told that not only did he write "American Vampire", but that it was also a great comic.  So when I received the first HC as a birthday gift this year needless to say I was excited.  

A bit of back story on the premise, "American Vampire" is the story of Skinner Sweet, a murderous criminal who just happens to represent the first of an entirely new breed of vampire, born out of the Old West in the late 1800's, hence the title of American Vampire. I won't spoil too much of what that entails, suffice it to say that Sweet stands as proof of evolution existing even amongst the undead as he, and his progeny that we meet...a silent film actress in the 1920's named Pearl Jones...display some decidedly different abilities than those that have come before.  

Snyder and his co-author, the legendary Stephen King, do a masterful job of wrapping two stories around each other as Snyder's tale explores the life of Pearl Jones in the 20's while King takes us back to the Old West to see how Skinner Sweet first became the creature we meet in Pearl's arc.  Despite Sweet's god awful disposition, it is fascinating to go through the exploration process with him & King as he begins to discover the differences between he & his creator, and given the maker's terrible nature, you can't help but root for Sweet a little as he seeks his vengeance.  

Pearl serves as the antithesis of Sweet in so many ways, the character that you want to scream at during a horror movie "Don't go in that room!" because you can see the road ahead that her naivete, as well as her ignorance of such horrible matters, doesn't allow her to see.  You feel for her when her heart is ripped out both literally and metaphorically, and want to cheer along as she becomes much like Sweet in her search for vengeance.  

So enthralled was I by the story presented in Volume 1 that I read it twice during my flight from MI back to PA and each time picked up on just a few more smaller details that opened up the story that much more.  Volume 2 will be a purchase very soon, and would have been already had I not already slotted a giant task in my reading schedule, the task that I am currently engrossed in every evening and will write about later.  But I will be making that Vol. 2 purchase very shortly, as will I also be looking into the other volumes of "American Vampire" and anxiously awaiting the first collection of "Severed", another of Snyder's books that I have yet to pick up.  

If you are interested in reading more on "American Vampire" then the wiki article is here, and if you want to pick up Volume One,  hit up Amazon here.  And if you're a fan of Snyder's work, I would also suggest picking up his contributions to the New DC 52, "Batman" and "Swamp Thing" because both are excellent reads. You would think I planned this Dr. Holland segue....

Work of art...seminal....must-read....those are just a couple buzz phrases that I had seen attached to Alan Moore's run on "Swamp Thing", a run that I have been intrigued to read for quite some time, and was finally able to partake in, at least the first two books, in the last couple months.  This one is something I wish I would have read a long time ago...and it dumbfounds me to think that this type of book was being written in 1984.  

It just so genre-shattering, despite that fact that I have likely read a thousand comics written post-SW that have tried to ape what Moore did here, this is material that still reads as fresh and innovative creeping on 30 years later.  I don't know what Swampy was like prior to Moore, and I don't know much of what followed Moore prior to my reading of "Brightest Day" (although I do recall some Doug Moench/Kelly Jones "Batman" comics with Swamp Thing), but I feel like I am in the midst of reading the definitive take on the character.  This is a book way ahead of its time in every sense of the word, the style in which Moore wrote and the risks he takes with it, the risks taken in the art and the boundaries Stephen Bisette pushed with 80's comic books, this is Vertigo before Vertigo was an official imprint. This is what made it possible for books like Neil Gaiman's "Sandman", Jamie Delano's "Constantine", or Morrison's "Doom Patrol" & "Animal Man" to ever get published in the first place.  There are only a handful of books I feel are must-read's for every comic book fan and most know what those are: "Watchmen", "Dark Knight Returns", & "Crisis on Infinite Earths" are the universal truths, and I would certainly add in "Infinity Gauntlet" for the Marvel Universe, and now...well now I think Alan Moore's "Swamp Thing" would also join that list.

If you want more info on Swamp Thing, and specifically the Alan Moore run, then check out the wiki here, and if you want to pick it up, go to the Amazon store here.

I've have 4 volumes left of Moore's "Swamp Thing" opus to read, 3 of which are currently available with the 6th, and final, HC coming out soon (it may have actually been this week).  Unfortunately I am waiting on a certain someone...coughDUKEcough...to hook me up with his copies to read the rest but it's okay because I have another 6 volume mega-opus to read in the form of...

...James Robinson's "Starman", as I am reading it, is 6 Volumes worth of Omnibuses (I think Omnibi sounds better but spell check doesn't think it's a word) that encompass the entirety of Robinson's Jack Knight epic.  The core series, annuals, Showcase issues, each volume contains the complete story of Jack Knight, Ted Knight, The Shade, and all the assorted characters that make up Robinson's Opal City.  

To further abuse the phrase, to say I was apprehensive about starting this journey would be an understatement. Yes Robinson wrote a Batman story in "Face The Face" that enjoyed and this was an 80+ issue run by a single writer that I had heard nothing but rave reviews about over the years, but this was also the same author who wrote "Cry for Justice" which was one of the worst stories I read in 2010, as well as a JLA run that I gave up on due to boredom and disinterest. 

Still, I had to make myself not look at it through that lens based on what I suppose I could call the "Jeph Loeb Test".  Loeb wrote one of the most god-awful pieces of comic book trash I have ever read in "Ultimates 3" but he's the same guy who wrote "Long Halloween", "Daredevil: Yellow", "Hush", and "Captain America: White"....

....just seeing if your paying attention, that last one never got off the ground after the #0 issue.

Anywho, "Starman" spins out of DC's crisis that wasn't a Crisis, "Zero Hour", after Ted Knight was aged by Extant to roughly his natural age, along with a chunk of other JSA members.  His son David took up the mantle following the event, but this comic is not his story, it's the story of the other Knight son, Jack.  Ain't much of a spoiler at this point to say that David dies pretty much at jump street, forcing Jack to pick up the Cosmic Rod and defend Opal City against the evils that assail it.

Today I started the 3rd Omnibus and I can safely say that I am grateful that this was lent to me.  Thanks Pat!  Robinson is painting a masterpiece with his words, creating an epic all his own out of blank tableau that is Jack Knight.  I don't know the background of the Starman character whatsoever, nor what sort of life had been given to Opal City in the past, but Robinson puts this town on par with Gotham City & Metropolis, the two most distinct fictional cities, in terms of the identity he breathes into the concrete & steel.  Every corner has a story, every alley & shop a history, and the reader is slowly let into these secrets by Jack Knight who seems to know every nook & cranny of Opal City.  When Jack stumbles across something new to him, something unfamiliar, the reader feels almost as unnerved as he does.  How can Jack not know this city?

That life that is put into Opal City with the verbiage is enhanced that much more by Tony Harris' art which is...wonderful, just beautiful but not by standard definition I think.  It's raw and real, light and dark, gritty and pretty all at the same time.  And when Robinson also has the likes of Gene Ha, JH Williams III, Steve Yeowell, and Bret Blevins bringing his words to life, it makes for a throughly engrossing experience.

The blue Starman Mikaal, Solomon Grundy, the original Sandman, obviously the original Starman, have all made appearances so far (this take on Grundy has been awesome I must say), and from the looks of future covers, Batman, Captain Marvel, & the Legion of Super Heroes all appear along the line as well.  Chuck Kim wrote in the foreward to Vol. 3 that Jack Knight could not exist in any world but the one crafted by Robinson, that the outside characters James brings in actually become a part of Jack's world rather than forcing theirs into Opal City, and from what I have seen thus far that is true.  This is a labor of love, the creation of a universe all its own, and anything that enters it truly must confrom to the rules of the Robinson-verse.

One thing I have loved about this book so far, and this is only due to the fact that I'm reading it as an Omnibus, is that every usage of these characters from "Starman" to "Shade" to the old DC "Showcase" books has been penned by Robinson AND I am getting to read them all in the order intended by Robinson.  It's organized in a format where you getting a present day story for an arc, then maybe a flashback "Times Past" that brings to light the history that formed the city of Opal, or a "Talking With David" story that elaborates on the relationship of the brothers Knight while allowing Jack some soul-searching moments & some teases at what's to come.  I cannot wait to see what Vols 3 - 6 bring to the Knight family...

This is another highly recommended run for anyone who hasn't read it yet, and if you have sour thoughts on James Robinson as I did prior to those, trust me when I say to put those aside and give "Starman" a shot, it's damn worth it.  If you want some more info on "Starman" check it out on the wiki here, and you can pick it up on Amazon here.

Oh, and if you're a fan of "Sons of Anarchy", look at these two pictures and tell me you don't see it...