Showing posts with label red hood. Show all posts
Showing posts with label red hood. Show all posts

Monday, February 3, 2014

Batman- The Grant Morrison Odyssey: New 52 Style V6



What Came Before:

Part 1: Batman & Son
Part 2: Club of Heroes/Resurrection of Ra's Al Ghul
Part 2.1: Devil-Bats & The Bridge to RIP
Part 3: RIP
Part 4: The Missing Chapter/Last Rites/Final Crisis
Part 5: Batman Reborn
Part 6:Blackest Knight/Batman vs. Robin
Part 7: Batman & Robin Must Die!!!
Part 8: Return of Bruce Wayne Part 1
Part 9: Return of Bruce Wayne Part 2
Part 10: Batman Inc. Part 1
Part 11: Batman Inc. Part 2

New 52 Part 1
New 52 Part 2
New 52 Part 3
New 52 Part 4
New 52 Part 5




This is it...the issue that DC comics elected to spoil in advance in the NY Post after rampant speculation that the story was building to this point. Hell even if they hadn't spoiled in in the Post, the cover alone was as spoilerific as it gets anyway.  With an image like the one above emblazoned on the cover, THIS was an issue that should have been black polybagged, not Age of Ultron #10.  I'll save my tangent on spoilers until after this overview though...ON TO THE STORY!!!

First up, the cover is a great homage from Chris Burnham to the Alex Ross painting for R.I.P:


Then we jump onto the very first page with this image that I just found incredibly cool:


It's the green tint, Damian's words as he sees Grayson, the visual of Dick and Commissioner Gordon battling an army of children, it just stands out to me as quite memorable.  The following page's visual of Damian, in his Robin armor, blasting over the scene and knocking a kid out just adds to the punch of this scene.  The choice of story title, The Boy Wonder Returns, is both sad and triumphant though.  It is quite a logical choice given that Damian has been benched from being Robin since the first issue (hence the Redbird stint a couple issues back) and he's hopping back into his proper tights for this issue.  Yet, because of the choice to go full-on spoiler for this one and knowing his ultimate fate, it is also a title packed with sorrow knowing it is a short term situation.

Damian rockets off towards Midtown where Wayne Tower is located and his father was left sinking to the bottom of a pool while locked inside a safe.


I can't help but use as much of Burnham's art as possible because I do love it so, particularly the last two panels and the way he depicts the raindrops hitting the pool water with the safe visible under the surface.  That love for the art continues with the next page below with the fashion in which Batman is shown trapped inside the safe:


The pool water used as the background, the awkward paneling reflecting the uncomfortable position in which Bruce finds himself trapped, the raw and bloody knuckles, the close shot of his white lensed eyes and bared teeth, plus the safe sitting in the empty corner of the page...it creates a claustrophobic scene.

As for the trap itself, it is a positively "Bond villain" style situation but that is something in no way coincidental.  Talia is taunting Bruce, putting him in a trap she knows he will escape eventually but doing so just to keep him occupied.

Jason Masters steps up for some fill-in work as Red Robin (Tim Drake) arrives at the Leviathan controlled Wayne Tower.  It's Tim's attention to detail (noticing another woman is wearing Ellie's name tag), combined with Ellie screaming, that saves him from an assault but the save is short-lived. Turns out the entire upper balcony of the lobby is ringed with assassins of both the gun-toting as well as arrow-shooting variety and while some fancy footwork on the giant quarter takes some out of the equation, Tim still finds himself at the mercy of Leviathan's members until...


Once again Damian saves the day, gets away with the child abuse since it's kid-on-kid violence, and shows just why he quite the little badass as he takes down kids & adults alike with his fancy armored suit.  Still, Dick gets the chance to throw Damian's opening line of this issue back in his face as he saves him from a volley of gunfire.  This gets followed up with a page that, given the spoiler-context with which most everyone entered this issue, while the page is given an entirely different gravity than if it was being read without knowing how the story would end:


Dick Grayson, though generally known as Nightwing, was the Batman that Damian fought beside.  He was the partner that allowed Damian to grow, not Bruce Wayne.  In some ways, although they would probably think of themselves more like brothers, Dick Grayson was the true father to Damian Wayne.  Well, both he and Alfred I suppose, since it was their joint efforts during Dick's run under the cape and cowl that allowed Damian to become something more than a child of the League of Assassins. Under the tutelage of Dick and Alfie, Damian became the hero we are seeing showcased in this specific issue.  He is still a bit abrasive but the manner in which Damian talks to Dick is a far cry from what it was back in the Morrison's volume of Batman & Robin.  There is respect there now, an admiration for fighting at each other's side, and dare I say it...a genuine love for his father/brother.  Damian sums it up the best in the fifth panel, "So far I'd say you've been my favorite partner".  Sadly, since we know how this story ends, we also know that the "so far" isn't really necessary...there isn't going to be anyone else added to that partner list.

Burnham, in his ever-growing awesomeness, even throws in a few visual callbacks to the Batman and Robin team with the next page:


Compare that first panel to Frank Quitely's work from Batman & Robin (Vol. 1) #1:



The only thing missing from the Burnham page of Batman '66 sound effects is the double punch that was used so frequently during Morrison's B&R work:


 Guess I spoke to soon because enter The Heretic with Oroboros machine in hand:

Didn't quite work out and neither does Dick & Damian's attempt to battle his behemoth clone of Damian. Ellie though, she does her part and sneaks up to steal the Oroboro out from under Heretic as he's occupied with beating his brother/twin to death.

Damian, as he said to Dick before their leap into battle, continues to push that if he can see his mother than he can settle this situation.  He firmly believes, even with this monster in front of him, that if he can just talk to her then the problems can be resolved.  That is the BOY aspect of this Boy Wonder I suppose...a surprising fout of hope is Damian.  Even as the onslaught continues, he pleads for her to stop this.  It's truly heartbreaking to see this child essentially begging for his life to his own mother.  After everything she put him through, after raising him in the League of Assassins, after nearly becoming a vessel for his grandfather Ra's Al Ghul, after using technology to take over his body, even after all of that, Damian somehow still believes his mother loves him.  Maybe she does somewhere inside, but as she allows Heretic to assault her true son, with violence like this...


...it is hard to believe that there is one ounce of love left in her heart.  Her desire for vengeance against Damian's father has utterly consumed her, more completely than even Bruce's desire that caused him to become Batman in the first and continue to push him to don the cape & cowl each night.

The detail in the above page is also brilliant.  Whether it be artist's choice or script, any backbreaking image used in a Batman comic holds resonance for long-term readers (or anyone who watched Dark Knight Rises I suppose) but the beauty of that scene is that, unlike his father, it doesn't stop Damian. Why not?  Likely because of that same surgically repaired spine that Talia and Deathstroke used to co-opt Damian's body back in Batman & Robin.

I also get the sense that, if not for the involvement of the gun & arrow wielding assassins, Damian would have had a fair chance of taking down his clone brother.  Even as he is riddled with arrows and bullets, the only biological son of Bruce Wayne remains defiant to his killer, spitting blood in the face (his own face really since this is a clone) of Heretic, but sadly...weakly...begging for his mother to call it off.

The violence and blood of the page are almost uncomfortable, something at a level we rarely see in a Batman comic but one that has been the norm for this leg of the journey.  Right from the get-go, with the fight through the slaughterhouse in the first issue, this has been a particularly violent and blood-soaked run.


This is why Talia kept Bruce occupied, this is why she figured out how long it would take him to escape the trap, so that Bruce would know he was absolutely powerless to get their in time and save their son from being murdered.  I suppose the same way he was absolutely powerless to save his parents from being executed by Joe Chill (or whoever in the New 52) or to save Jason Todd from his death at The Joker's hands.  I suppose the torture of the moment goes two ways as it's also so Damian dies knowing that NEITHER of his parents helped him.  His father was not there to stop it and the only way his mother could have been more responsible was if she was the one holding the sword.

Visually speaking this is another impressive page from Burnham, somewhat like the shattered glass page from a couple issues back. It's extra disturbing to me that Talia is just a mouth and words in this entire sequence but those words are as painful, in their own way, as the stab wound. Damian has a physical sword through his heart while Talia is driving verbal daggers into that of his father. The fact that she still refers to this as a game is just so...horrid.

If I recall correctly, that image of Damian's death drew heavy criticism for it's level of gore, violence, and I know some were disturbed by how absent Damian's face was from the scene.  Well, after some searching, I tracked down the original image on Bleeding Cool:


Picture that image colored and tell me it wouldn't have been far more disturbing.  The sword has penetrated THROUGH Damian and we see his face, his little terrified face, as life slowly slips away and Damian dies knowing his parents were not there for him.  That is horror...


...and in the midst of the horror, as this stage of her plan finally comes to fruition, Talia shatters like the glass framing the last two pages.  For one brief second she allows herself to feel something for her son's death but it is, as she states, just "..a moment of weakness..."; she really is dead inside isn't she?

And poor Ellie, the former prostitute now Wayne Tower receptionist, the girl that Batman saved from near-certain death on the streets, she sits as observer to the entire tableau.  It's not the first Robin we have seen die but given the condition of Damian's body versus that of Jason Todd's...




or Stephanie Brown...


...it's a violently powerful image of death, brutal.  I think it is a moment that, had I not had it spoiled, would have made me cry. It brought tears to my eyes, that's no lie, but nothing flowing down my face as was the case with Nightcrawler or Magik when they died in the X-Books.  Another fashion in which the NY Post article, and the comic book media blitz that followed, may have ruined some of the experience for this humble reader.

Now in the midst of that heartbreaking image to close the issue there is also fear.  Fear of what's to come as represented by the fade-to-black panels of Batman's face.  Does that represent the death? Does it represent Bruce losing himself to the darkness within?  We only know by picking up the next part of Batman Incorporated!


In the meantime, you can check out my Damian Wayne memorial blog entry here! Or check out my work on Sequart right here!

As for that spoilery stuff, my quick take is that, as I understand the comic book market, while ruining such a monumental plot point as Damian's death will boost your publicity in the moment, it wouldn't do ANYTHING for sales of that issue.  By the time they spoiled it, orders had long been placed by the shops so they've already got the money from the first printing.  I suppose then the desire is to generate revenue from the inevitable reprints? I truly don't know.  Perhaps publicity is the only goal in doing such a thing, such is the world of the corporation...




Tuesday, January 7, 2014

Batman- The Grant Morrison Odyssey: New 52 Style V4

What Came Before:

Part 1: Batman & Son
Part 2: Club of Heroes/Resurrection of Ra's Al Ghul
Part 2.1: Devil-Bats & The Bridge to RIP
Part 3: RIP
Part 4: The Missing Chapter/Last Rites/Final Crisis
Part 5: Batman Reborn
Part 6:Blackest Knight/Batman vs. Robin
Part 7: Batman & Robin Must Die!!!
Part 8: Return of Bruce Wayne Part 1
Part 9: Return of Bruce Wayne Part 2
Part 10: Batman Inc. Part 1
Part 11: Batman Inc. Part 2
New 52 Part 1
New 52 Part 2
New 52 Part 3



When last we met, we were exploring the future of Damian Wayne in a world that spun out of the story depicted in Batman #666 as created by Morrison & Andy Kubert.  That same world, if you're interested in exploring it further, is...supposedly...the focus of the current Damian: Son of Batman mini-series Kubert himself is currently both writing and penciling.  To me it doesn't feel like the same world, but that's just my opinion...

With this issue we return to present day and to the original scene of the crime, quite literally in fact, as Talia Al Ghul and Leviathan have taken up residence across the street from the rebuilt Monarch Theater. Ya know, the spot where a young Bruce Wayne watched The Mark of Zorro with his parents and then..


A bad place indeed for Bruce Wayne...

The story actually kicks off with one of my favorite Chris Burnham panels, the very first one on this page:


Just something about that angry face and the fact that Batman is doing something as routinely normal as shaving while driving to work.  His occupation may entail something far more life-and-death than the average commute, but it is nonetheless a guy shaving in his car while driving to work.  In addition to the art, the "brunch" line adds a bit of levity to this extremely serious situation but also displays that confidence that is so integral to the Bat-God persona Morrison has created for Bruce Wayne. He has been built up by Grant as the man prepared for everything, hundreds of steps ahead of any opponent, and the confidence that brings is encapsulated in just one word.

Also, I like the sneaky Batman Incorporated communications pin that Commissioner Gordon has hidden under his lapel...marking him as an official member of the organization.

The Robo-Bats make their return as Batman begins his one man assault on Talia's base whilst Gordon makes reference to "factions in the department blaming Bruce Wayne for encouraging this"; a statement that harkens back to the beginning of the first issue of this volume. The "Garland of Skulls" title given to this issue is an allusion to the Kali references that have been littered around this series in reference to Talia:


 Bruce and his Robots enter The Monarch, telling Gordon and his men to stay behind until he gives the all clear, "It's a family affair. Gotham got caught in the crossfire...I have to go talk to the mother of my son.".  This is the scope of Talia's wrath, destroying everything in sight as she said back in Batman & Son when the groundwork was laid for this tale, this is larger than anything with which the GCPD has dealt.


So Talia has turned this into yet another game, another quest for Batman, and, as she says, it is based on a Zen Parable of the Goatherd.  According to good old Wiki (a bull is the standard but given the presiding theme of goats thus far...):

  1. In Search of the Bull (aimless searching, only the sound of cicadas)
  2. Discovery of the Footprints (a path to follow)
  3. Perceiving the Bull (but only its rear, not its head)
  4. Catching the Bull (a great struggle, the bull repeatedly escapes, discipline required)
  5. Taming the Bull (less straying, less discipline, bull becomes gentle and obedient)
  6. Riding the Bull Home (great joy)
  7. The Bull Transcended (once home, the bull is forgotten, discipline's whip is idle; stillness)
  8. Both Bull and Self Transcended (all forgotten and empty)
  9. Reaching the Source (unconcerned with or without; the sound of cicadas)
  10. Return to Society (crowded marketplace; spreading enlightenment by mingling with humankind)
From a visual standpoint:



The idea of this game of Talia's, presumably setting the structure of Batman Inc. as we go forward, will line-up to some degree with this parable.  In light of this elaborate means to take care of Bruce, it is quite humorous...ironically so I suppose...for Bruce to comment "Can't we just have a conversation, like normal people".  In the world of Batman this, the worst break-up in the history of life, this IS the normal.

The first two steps of the parable are covered on the page pictured above before we cut to the roof of the St. Malphus building.  Remember the building blew up in issue #4 and the Outsiders/Dead Heroes Club were all up there? Well they are not in good shape as Freight Train has wood driven through his stomach and is leaking blood like a character in Burnham's Officer Downe book. Looker is down, Batwing is trying to resuscitate Halo it seems, and The Knight is clutching Squire's body yelling at Batman how she can't breath.

As Bruce looks at the third image in the sequence, he protests for Talia to leave them alone but her policy is that ANYONE associated with Batman Incorporated is a victim-in-waiting:


I wasn't planning on using this page but that last panel from Burnham basically screamed to me that it needed to be included.  It's a powerful image looking down on our hero as he does indeed get his conversation with the disembodied voice of his great love Talia. The fact that she discusses Bruce Wayne as a separate entity from Batman is intriguing for me because it represent one of two things: either she genuinely sees them as two separate people or she is purposefully continuing to conceal his identity since, I get the impression, her voice is being heard over speakers or something akin to that.

Also the notion that she has done more for the poor by arming them, by giving them "purpose", then Bruce Wayne has ever done is a very interesting way to look at things.  I wonder if that is how military organizations around the world feel recruiting less fortunate kids fresh out of high school? Or worse, turning children into soldiers (sidebar: check out these Unknown Soldier articles by Desmond White for a look at that travesty)?

Looking back over the pages of this series, especially the last two I've included, it's pretty easy to see why Chris Burnham was one of just two people that I sought out at New York Comic Con for sketches.  I'll put a picture of what he did for me up here when it's most appropriate...

Batman finds the next picture in the sequence after taking down all of Talia's soldiers and her voiceover on the action only further illustrates just how taken she is with Bruce in spite of everything. Words like magnificent don't fall easily out of an Al Ghul's mouth but her she is, in the midst of putting him through the wringer, calling Bruce Wayne just that.

These are moments that I love, the moments that show the Bat-Family as just that...a family. Dysfunctional as all hell sure but a family all the same. Tim Drake (Red Robin) working on the computer, Dick Grayson (Nightwing) watching and recalling the events of Jason Todd's (Wingman) stint as the Red Hood in Morrison's Batman & Robin run, while Damian Wayne (Robin) rants against Jase (for some reason Dick calling him that is hilarious to me).  Plus we've got Alfred and the pets in Bat-Cow, Titus the Bat-Dog (thanks to Peter Tomasi and Batman & Robin), and introducing to present day, but previously seen in the #666 issue, Alfred the Bat-Cat! 


The family also includes Bruce and, in Damian's case, Talia and they join the party via intercom as the feed of her dialogue with Bruce begins to play out over the Batcave speakers.  Unfortunately for Damian it breaks in with a hard dose of reality as he hears Bruce's voice talk about how he was raised to be spare parts of Ra's Al Ghul; a sad reality illustrated in the Resurrection of Ra's Al Ghul story arc.


This spread is rife with references, intentional or not, to other moments not just in Morrison's tenure with Batman but including other Talia stories he did not pen.  The spiders recall Otto Netz, SPYDER, and elements of Levithan Strikes! while the faces on the dummies (like Talia says) are those individuals who were disappeared by Leviathan in the early issues of this series.  The fifth circle is present on the wall behind a tea set-up that reminds me of this moment from R.I.P:


I suppose it is more intended as an allusion to origin of Talia issue depicted below and covered a couple blogs back:


The room goes boom as the clocks all exploded at 10:47 which you may note is the time of Thomas & Martha Wayne's death and the oft-used clock setting Bruce uses in Wayne Manor to enter the Batcave. Also as Batman jumps out the window, we see the sixth image of the sequence, "Riding The Bull Home", while the Bat-Bot army takes on Talia's Man-Bat army in aerial combat.

Bats reenters the building, fending off Talia's guards as he continues to make his way through the building as if he's progressing from level to level in some video game. When we finally see the room in which Talia has been hiding out and delivering her speech, we discover a video wall that first displays the 7th image in the parable's sequence and then images of Gotham City as it is being torn apart.  


We also see that this is not Talia, rather a robot or a dummy (more Netz-stuff), but the words are still being delivered by from her mouth. She is putting Batman in the position to chose whether he saves his son or his city and Damian has to hear the entire thing. He knows his mother does not want him, he knows this is the game she is playing. Also, in the 4th panel on the above page, we see the 8th image of the series...the empty circle.

The next page, back on the roof of St. Malpha's depicts The Knight trying to save Squire by shocking her back to life, but it seems a little out of place due to the giant fist knocking out Batwing.  

Why does that alone make it feel odd?  

Because the following page then shows the owner of that massive fist, The Heretic, standing in a stairwell holding a giant stone.  The stone is connected to chains which are attached to the necks of a dozen or so people and which he tosses down the center of a flight of stairs, presumably executing all of them as Batman sits helpless near the 9th image of the sequence.  Again Damian hears his mother say "Your City. Or Your Son." and given that these are periods instead of question marks, this is obviously not Talia asking Bruce a question...this is her telling him exactly how it is going to be.

Now we cut back up to the roof where Squire has successfully saved the life of Squire only to find himself in the clutches of the monstrous Heretic:


We spent the entire issue teased with the death of Squire but it is Knight who is the first victim, and a high profile one at that, of The Heretic. To her credit, Squire is the first to draw blood on Heretic with her slingshot (some David vs. Goliath stuff in there) just before Batman swoops in to attempt to stop the behemoth.

Talia makes reference to the 3rd Batman from earlier in Morrison's run, claiming to have made him, which can be construed as Heretic being that Batman.  In #666, which has come into play several times over, Damian-Bats kills the 3rd Man whereas here it seems as if Talia is alluding to Bruce's fear that it is Damian himself who ends up the Batman that ultimately brings ruin to Gotham City.

Either way this story comes to a close when we finally see the 10th image of the parable, the crowded marketplace/return to society image, as Heretic tosses Bruce through it and down to the crowded streets below as depicted here:


Shattered glass, kids with weapons storming the GCPD, and a Batman who looks to be plummeting to his death.  What a way to end this chapter!

To  Be Continued....



Until then check out my work, and all the other great writers, over on Sequart.org!


Friday, May 3, 2013

Battle For The Cowl Part 3 (An Alternate Take)

BATTLE FOR THE COWL PART 3
(Originally written in 2009)



Part 1
Part 2

PAGE 1

1 – Open on ROBIN battling it out with FIREFLY as the Wayne Corp docks burn in the background.

FIREFLY
Every secret will be ours!

ROBIN
(Caption)
What secret is Lynns talking about?

2 – Robin catching Firefly with a kick to the face…

FIREFLY
Everything you hide! Everything you want kept in the dark!

ROBIN
(Caption)
What would he go to this trouble for?

3 – Robin letting a batarang fly….

FIREFLY
All your identities will burn!

ROBIN
(Caption)
Identities?

4 – Close on Robin’s face as a realization sets in.

ROBIN
(Caption)
Oh $%^&

5 – Close on a batarang slicing through one of the lines connecting Firefly’s gauntlets to the tanks on his back

6 – A burst of flame sprays out of the cut hose…

FIREFLY
You stupid @#$%…you’ll burn us both alive!



PAGE 2

1 – Close up as the butt of Robin’s staff flies into the face of Firefly.

2 – Robin shoots a line around the legs of Firefly…

ROBIN
Just you Garfield…

3 – Robin leaps, flames shoot just past him, as he catches Firefly with a knee to the chin, cracking his helmet

ROBIN
It would serve you right…

4 – Robin slams an elbow into Firefly’s ribs…

ROBIN
…if I let you burn.

5 – Robin reaches behind Firefly…

ROBIN
But that would just be…

6 – Close on Robin’s hand shutting off the feed to the remaining gauntlet…

7 – Robin pops a vial of knockout gas directly in front of Firefly’s nostril holes…

ROBIN
…giving you exactly what you want.

PAGE 3

1 – Cut to the Batcave where Oracle sits at the Bat Computer, Alfred at her side, monitors all aglow with footage of police & fire activity…

ORACLE
Robin do you copy? What's the situation at the docks?

ROBIN
(Via Headset)
Firefly is down but his fires are still raging. I’ll leave him for your dad, but warn the cops he’s kinda naked.

2 – Cut back to an exhausted Robin, sitting on a rock, wiping the sweat off his face with one foot on the half-naked body of Firefly.


ROBIN
I wasn’t going to leave him in his suit. That’s just asking for trouble.

VOICE
(Off Panel)
You don’t know trouble yet boy.

3 – Robin spins around to find himself face-to-face with the ELECTROCUTIONER…

ROBIN
Oracle, I’ll call you back.

4 – Close on Electrocutioner’s face as energy crackles in the air around him…

ELECTROCUTIONER
I wouldn’t bet on it.

PAGE 4

1 – Cut to JASON TODD and DAMIAN as they come to rest on the rooftop of a skyscraper.

DAMIAN
And what are we going to find here…Batman?

JASON
This is where sources have led me Robin. This is where Black Mask operates from.

2 – Close on Damian’s face and his bemused expression…

DAMIAN
This is one of my father’s building.

3- Jason, his eyes flickering red, looks towards Damian…

JASON
I’m well aware of that fact Robin. This is also where a certain…fake…is supposedly being held.

DAMIAN
Thomas Elliott I assume you’re referring to. There isn’t much I don’t know about my father’s operations…Batman.

JASON
Enough talk. Time to get to work…

4 – Wide shot of the Wayne Tower they are sitting atop.

5 – Cut to the room in which THOMAS ELLIOTT resides. He sits on his bed, reading a book, no traces of the assault at the hands of Jason Todd are visible.

ELLIOTT
Something wicked this way comes, I feel it in my bones.

PAGE 5

1 – Cut back to the docks where Robin is reeling from Electrocutioner’s assault.

ELECTROCUTIONER
This ain’t going to end Robin. We will keep coming and coming until you break.

ROBIN
Even your best…isn’t going to be enough Lester.

ELECTROCUTIONER
It isn’t just me and Firefly. This is bigger than you and your creepy little clan. This is going to change it all…

2 – Close on Robin as he steels himself for battle again…

ROBIN
Nothing…will change.

3 – Back to Electrocutioner as his hand lights up, ready to blast away at Robin…

ELECTROCUTIONER
We’ll see about that.

4 – Robin leaps over the head of Electrocutioner…

ROBIN
(Caption)
Firefly mentioned identity…

5 – Robin swings with his staff, Electrocutioner leaps over it….

ROBIN
(Caption)
This one’s talking about change.

6 – Electrocutioner unleashes a burst that blows a hole thru Robin’s cape…

ROBIN
(Caption)
If this is what I think it is…

7 – Robin stabs his “R” into the foot of Electrocutioner…

ROBIN
(Caption)
…we are in serious trouble.

8 – Robin slams his staff right into the jaw of Electrocutioner, catching him right on the sweet spot and knocking him out.

ROBIN
Oracle?

PAGE 6

1 – Robin, using his staff to prop himself up, stands with the flames of the dock fire in the background and blood on his mouth.

ROBIN
Oracle, we’ve got a potentially serious problem on our hands here. Do you copy?

2 – Close on Robin’s face as his eyes roll back in his head…

ORACLE
(Via Headset)
Robin? Robin?

3 – Robin drops to the ground, a knife slid into his back, a well-dressed ZSASZ standing there with a smile on his face and a cell phone at his ear.

ZSASZ
Black Mask? I’ve got a special package for you.

PAGE 7

1 – Cut back to Jason and Damian as they enter Wayne Tower in pursuit of Black Mask.

DAMIAN
What would possess Black Mask to take residence inside my father’s tower?

JASON
So there’s something you don’t know, Robin? Hubris. Arrogance. What better place to hide than in the place least expected? Seems like something right up your alley Damian.

2 – Close on Damian’s face…

DAMIAN
What are you implying…Batman?

3 – Back to Jason as he descends the stairwell, Damian in the background behind him…

JASON
Do you expect me to believe you genuinely wanted to fit into the Wayne Family? That you wanted to change everything you were ever taught and become just like Dick?

4 – Close on Jason’s face, the twinkle visible in his eye…

JASON
Just like Drake?

5 – A buzz emanates from one of Jason’s pouch, his cell phone ringing. Jason touches the side of his helmet…

JASON
Simon?

PAGE 8

1 – Cut to Black Mask/Dr. Hurt, standing alongside Zsasz who holds a knife to the throat of an unconscious Robin.

BLACK MASK
I got a surprise for you down by the docks but I strongly suggest you get here now...

2 – Close on Zsasz as he runs the side of the blade, almost lovingly, across Robin’s face

ZSASZ
(To himself)
So intimate this knife. No love like its love…

3 – Back to Black Mask…

BLACK MASK
...Unless you want to find your present in little pieces.

4 – Back to Jason…

JASON
What’s wrong with your voice Simon? You’re talking…strangely.

5 – Back to Black Mask…

BLACK MASK
Necessary evil my friend. Just get to the Wayne Corp docks asap before this situation gets….deadly.

6 – Black Mask folds up his phone, and turns to Zsasz.


BLACK MASK
My deepest gratitude Zsasz. This is certainly a prize worth the drive out here. And how thoughtful of you to leave him alive like I asked.

ZSASZ
Your offer is worth the trouble, but I don’t know how long I can hold out. The light in his eyes is screaming to be let out. It wants to be free of the Robin’s skull, it wants me to liberate it.

PAGE 9

1 – TALLY MAN steps out of the driver side of the limousine…

2 – Black Mask holds up Robin’s head by the chin, Zsasz licks his blade…

BLACK MASK
Sorry Zsasz, my driver apparently can’t wait a few minutes more. Try not to kill the redbird here while I’m gone…

3- Close on Zsasz’s face, half concealed by the blade, as he smiles at the knife...

ZSASZ
Do hurry then Black Mask. His light hurts my eyes…

PAGE 10

1 – Black Mask, standing with Tally Man…

BLACK MASK
What is it that could not wait until this transaction was completed?

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So life got in the way of my completion of this and by the time I returned to it, I found I had lost that moment...that place in my head where the story was unfolding and despite several attempts to get back to it, I was unable to do so.  I thought maybe going back over these scripts like this it would help me get back there but no such luck unfortunately.

I can still remember certain story beats I had intended to play with...I know that my version of this story was intended to run longer than the 3 issues the true Battle For The Cowl did. I always felt like 3 issues gave short shrift to what should have been a monumental story, forced it to feel rushed and that it lacked the gravity Dick's decision to take on the cape & cowl should have held.  Also, I never felt like there was this feeling of Gotham actually being threatened by the absence of a Batman...it just seemed like business as usual so I wanted to put the city itself under siege.

For me the turning point for Dick, and essentially for Damian as well, was intended to begin with a sequence in which Jason would turn his guns on Damian when the young Robin refused to kill a helpless Tim Drake (that's where the Black Mask "I have a present for you" sequence was going).  JT would shoot up D, truly making him irredeemable in my eyes at least, but the delay would allow TD to get his freedom.

I also had in mind a sequence that would take Dick off the map for a brief period of time and had originally written it as, in his desperate attempts to travel from one crime scene to the next as quickly as possible, ended up getting hit by the limo Black Mask/Dr. Hurt has been cruising around town in while surveying his machinations.  It came off really comedic and ridiculous so I wiped it out and never got back to that point.

With Dick off the radar, along with most of the Bat-Family, I wanted JT to essentially go apeshit and kill some of the minor villains while he is cleaning up Black Mask's little crime wave.  Mask's whole purpose in even starting up this crime spree has being to play JT into ruining Batman in the public eye before Mask reveals himself (as he did in Morrison's "Batman & Robin") as a Wayne.  My intention was for him to be the long-lost Thomas Wayne Jr. character that Scott Snyder reclaimed in the Owls story arc but I wanted to keep intact all of the accusations of drug abuse and what not that were made on Thomas & Martha Wayne in the actual stories. 

As for the big secret Hurt was dangling in front of the villains of Gotham to get them on his bandwagon, the one that would change everything as Electrocutioner stated, well it was all a big lie...a mind game played on the bad guys AND the heroes both.  I intended to reveal it as a lie when Hurt was ultimately confronted by either one of the bigger bads or a gathered lot of the minor ones. Hurt was running the game on the idea that promises of wealth and power and control can work wonders on the nefarious while threats of exposure can put the fear of god into those heroes hiding their identity. 

The endgame for me was to put Jason Todd into a position to be the Joker to Dick's Batman, and to push JT over that anti-hero edge he had as Red Hood into true villainy...a far cry from what we now see in the New 52 iteration of Jason Todd.
Thanks for following along during this nostalgia trip into my brief foray attempting to write comic book scripts years ago.  Until next time...go support your Local Comic Shop during Free Comic Book Day this Saturday, May 4th!