My Favorite Mutants....

I have said it before but it bears repeating for the purpose of this entry: the X-Men were my gateway drug. I had read random comics here and there, ones given to my by family just to keep me occupied for a couple minutes or found in garage sales.  Nothing stuck though until that fateful day in the Denver Airport when I picked up my very first X-Men comic (more on that in a minute) and it started a love affair that has lasted until this day albeit to varying degrees.

So while listening to Kevin Smith's "Fatman on Batman" podcast, specifically an edition where Kevin and one of his guests list their favorite Batman issues/stories, I was inspired to make a list of some of my favorite X-Men stories.  No real order, definitely not a complete list, but just a rundown of some of my favorite X-Centric issues & story arcs (oh yeah, and it is a purposeful thing that I don't dip into the sure things like Grant Morrison's run, "Dark Phoenix" or "God Loves, Man Kills"...just want to expose some other notables).

So what better place to start than with:

Uncanny X-Men #224

This was the issue that started it all and it was absolutely NOT the most first-timer friendly BUT a writer like Chris Claremont went out of his way to adhere to an old Stan Lee (so I've heard) axiom that every issue is somebody's first.  There wasn't yet an X-Men: Animated Series to lay the groundwork but he made it easy to understand who Wolverine, Havok, Rogue, and Dazzler were and what they were doing in San Francisco.  Marc Silvestri defined the visuals of all of these characters for me, particularly Wolverine, and for the longest time his was the look with which I associated these characters.  His version WAS Wolvie, it WAS Storm and Dazzler and Longshot...he & Dan Green WERE the X-Artists for me!

As for Claremont, he made the fact that I was jumping into a situation en media res completely tolerable given that the X-Books were on the verge of entering The Fall of Mutants, that the Registration Act and Freedom Force were things, that a powerless Storm was completely separate from the team for reasons unknown to me...

All of those things would, in the mindset of some in today's comic landscape (coughDCCOMICScough), be GIANT barriers to my signing on the the mutant bandwagon but because the writer made the effort to make his comic accessible, I was hooked and wanted to know not only where the story was going, but I wanted to know where it had come from.  This led to my 8 year old self finding a local comic shop which was thankfully right next door to the karate studio I was attending and spending several days a week there, not just new comic day.

This was in the age before EVERYTHING was traded so I dug deep into back issue bins, began following X-Factor and New Mutants, and reading Classic X-Men (later X-Men Classic) until my back issue endeavors collided with Classic around Uncanny issue #170.  Speaking of classic, that leads me to another couple of my favorites:

Classic X-Men #19

So just as with my first Uncanny issue, I also joined the classic adventures of my favorite mutants in the middle of a story! This time they were trapped in an arctic base, rendered powerless & child-like by Magneto, and at the motherly mercy of the android Nanny.  Claremont writing, John Byrne art, this was the stuff of dreams and a totally different visual than which I had become accustomed to with reading Uncanny & seeing Marc Silvestri's take.

And again, even though I was jumping into to a show already in progress, I was able to pretty much pick up on what was going on AND want to track down the issues that came before to see how my favorites got trapped in the first place!  Then, with the ending that split up the team, leaving Jean & Beast in Antarctica and the rest of the unit's fate in limbo, I had to know what happened!!!  This stuff was epic!

Plus, one of the bonuses of these Classic issues, there were additional pages (although at 8 years old I didn't know they were added at the time) added to the main story AND a total new back-up story!  This one fleshed out the character of Magneto in a way that I can look back on and safely say had never been done before.  It filled in gaps in his history and it was BEAUTIFULLY rendered by John Bolton.  These back-ups were a thing of wonder and the back-up alone is why this next issue is one of my favorite...

Classic X-Men #25

Wolverine solo...drawn by John Bolton...this back-up was a thing of beauty and probably one of the reasons that I fell in love with the character.  It does a great job of fleshing him out as more than just the crazy runt with claws, although in the Uncanny issues I was already seeing he was more than that, and it is just a wonder to look at.  Just thinking about it makes me want to either dig these issues out just to read the back-ups or go buy the Vignettes trades.

As an added bonus in the main story, you get Mariko Yashida making her first appearances in Wolvie's life (the previous issue being her first), you get Banshee losing his powers (a thing that stuck for well over 100 issues), and in the added pages, you get an Apocalypse appearance to tie him into Moses Magnum's origins!  Speaking of Apocalypse....

X-Factor #68

Okay this may seem an odd choice to some but this issue, with writing credited to Whilce Portacio, Jim Lee, and Chris Claremont with Portacio & Art Thibert getting the artistic nods, is the culmination of so many different plot threads PLUS the springboard into the next phase of the mutant world.

It brings to a head the Apocalypse story that has been building in some fashion since X-Factor #5, it brings to crescendo the saga of baby Nathan Christopher Charles Summers that has been on-going since his birth in Uncanny #201 and really kicked into high gear during Inferno & the subsequent Judgement War arc in X-Factor, and his Nathan's fate certainly added even more intrigue to the Cable/Stryfe mystery unfolding in the closing pages of the original New Mutants series & subsequently in the original X-Force series...plus it was set on the Blue Area of the Moon which harkens back to the original Dark Phoenix saga oh so many years prior.

The closing of this arc also catapults the original X-Men who made up X-Factor into the Muir Island Saga over in Uncanny that would ultimately lead us to the introduction of the Blue & Gold Teams in the UXM & & X-Men books.

But most importantly, and the reason why this issue resonates in my mind, is because of the heartbreaking scene when Scott Summers has to give up his child, has to send little Nathan off into the great unknown with a strong possibility that Cyke will never his son again, in hopes that this mysterious Asakani woman can save his life.  This is a man who, taking into account the sliding concept of time in comics, was without his son for 3 publishing years (so say like a year in comic book time maybe?). Now having only just gotten his son back, Cyclops was faced with the gut-wrenching choice of what to do, what to sacrifice, and...perhaps this is just me reading into it now...but giving is his son up to be saved is kind of making up for being a totally selfish douchebag since Jean Grey's not-so-dead body was found at the bottom of the ocean a few years prior.  That's a thought I'm just now thinking for the first time by the way...

Any way it was the emotional hook of Cyclops and Nate that puts this one in my mind more so than anything about the Apocalypse/Askani stuff...oh yeah, and this story arc would also be the hook upon which the next entry into my arc would hang its hat:

X-Cutioner's Song

So apparently, according to Wikipedia, this was a story arc not looked upon fondly despite its high sales numbers...well I don't give a damn!  I look back on this story as one of the highlights of my comic book reading youth.  Not only was it full of awesome art from the likes of Brandon Peterson, Jae Lee, Andy Kubert, and Greg Capullo but the story also brought together a ton of characters that had essentially been separate since the birth of X-Force, X-Men, and the overhaul of X-Factor that came about 15 months prior.

It took the "Cable & Stryfe have the same face" bomb that got dropped at the end of New Mutants #100 and used it for something major...if you call something like Stryfe, decked out in Cable-wear, shooting Professor Xavier in the face major.  The arc brought Apocalypse into the field as an ally rather than enemy which in turn played into the Archangel dynamic as well as the Cable/Cyclops drama.  It put X-Force, who were sans Cable at that moment, into the mix as a fugitive team.  Guido working with Gambit, Feral and Wolfsbane occupying the same space thereby proving there were in fact two different characters (bad joke), the moon, Stryfe versus Apocalypse, Stryfe's torture of Jean & Cyclops on THE BLUE AREA OF THE MOON, and Scott Summers' nagging questions: is Cable my son or is Stryfe my son?

It was an epic tale that told a self-contained story AND built for the future!  What a novel concept in this day & age where so many crossovers end up feeling to me like they exist ONLY to set-up the future and don't tell a complete story on their own.  This was throwing everything out there and making it all work!  History also tells us that Magneto ALMOST ended up a part of the story too AND a joke by Peter David is what ultimately led to Wolvie getting his adamantium ripped out in Fatal Attractions (more on that later)!

Plus the fallout from this arc also directly led to two of my favorite X-issues of all time!  First up:

X-Force #19

"The Open Hand - The Closed Fist"...the name of the story and representing the two sides of the coin when it comes to "the dream" from the perspectives of Charles Xavier (the former) and Cable (the latter).  In the fallout of "X-Cutioner's Song" the X-Force squad is essentially being held prisoner while Xavier & Storm question Cannonball's decisions.

The beauty of this issue, along with being a great showcase for how far Capullo has come as an artist, is in its layers.  For one it reconnects the former students of Xavier (Sunspot and Cannonball) with their former home, obviously via Sam's interactions with Charles & Ororo, but also thru Roberto's interaction with Stevie Hunter.  Then it points out how distant the rest of the squad (Warpath, Siryn, Shatterstar, Feral, Boomer, Rictor) are from that touchstone.  Sure some of them (Boomer, Rictor, Siryn) have a degree of affiliation but none of them were ever under the tutelage of Xavier directly and neither Warpath, Shatterstar, nor Feral spent one second under the wing of anyone but Cable.  There are so many degrees of removal from "the dream" looking at say Beast to Feral...

This issue also provides set-up for the future but no in a way that intrudes on the main story...just enough to tease you and leave you curious for what's to come.

But the highlight, the absolute crucial part of this issue though, the thing that really defined Cannonball for the future (or at least should have), is the "open hand, closed fist" debate he has with Xavier using, of all things, a mouse.  The crux of Guthrie's argument is that the supposedly safe and welcoming open hand can be used to slap you across the face (yeah...he nearly slaps Xavier across the face) while the supposedly violent & threatening closed fist can be used to protect and comfort (that's where the mouse comes in).  THAT is my Cannonball, the guy who was taking the best from his three teachers (Xavier, Magneto, & Cable) and looking to mold them into an entirely new ideal for this new generation of mutants.  It was furthered in the Counter-X Ellis run with his tutelage under Pete Wisdom AND it was why I was furious when Cannonball was reverted to the country bumpkin when he officially became an X-Man post-Age of Apocalypse..that's a whole other rant though.

This issue gave X-Force an identity, a STRONG identity, for the first time since the series began after a bunch of meandering issues about Externals and Cannonball dying and Gideon and Tolliver and lackluster Mark Pacella/Dan Panosian art. Also, and I am totally putting meaning in where there probably isn't any, it says something to me that this article on MTV.com here from 7/11/13 uses an image from this issue!

As for that other favorite issue that spawned out of "X-Cutioner's Song":

Uncanny X-Men #303

So "Song" spawned the Legacy Virus which was a pretty clear AIDS virus for the mutant community.  It had claimed the lives of some minor characters like Infectia and Burke as well as some major ones like Jamie Madrox (later revealed to be a dupe), Moira MacTaggert (the only human), and Revanche (Psylocke's....whatever).

But the saddest moment, the one that ripped my heart out, was the death of Illyana Rasputin in UXM #303. UNFORTUNATELY her death was spoiled beyond belief when UXM #304 was released BEFORE #303.  See #304 was part of the big "Fatal Attractions" crossover and I guess delaying it would have fucked up the schedule of the rest of the x-over...that's all assumption by the way.

So Illyana's story is sad enough on its own...the little sister of Colossus, as a little girl she was kidnapped from Russia to be used as a pawn by the villain Arcade, ultimately stolen away into Limbo while the X-Men were on some island where the barriers between dimensions were weak, and although it was only minutes on Earth in which she was lost in Limbo, with the way time moves there she reemerged from the hellish dimension as a teenager.  She joined the New Mutants, struggled with her demonic side for years, was used by the demons S'ym & N'astirh to bring Limbo to Earth during "Inferno", and returned to her proper age during the closing chapters of that story.

She returned to Russia, her & Colossus' parent were murdered, she contracted the Legacy Virus, and that brought us to this story where, while the rest of the team was away, it all came to a head with Shadowcat (visiting from Excalibur), Jubilee, Jean Grey, and Charles Xavier in residence at the mansion and Moira MacTaggert there via video screen.

I'm honestly tearing up writing about this and reading the recaps...I think this was the first comic in the, at that point, 6 years I had been reading that had this kind of effect on me and it says something for my memories of it that it still does.  Jubilee bonding to Illyana in these last moments of her life, the history of Kitty Pryde & Illyana coming into play, the reaction of Colossus when he returns home to the tragic news, the reading of Hans Christian Andersons' "Little Matchgirl", the BAMF doll, it's all so...heartbreaking.  As Jubilee puts it in the end, since she has been hanging with the X-Men, she has mixed it up with Brood-things, Sentinels, Acolytes and everything. ‘So how is it ya can save the world every morning pre-wheaties…but when it comes to saving one little girl…zip?’ 

I'm crying....

That could be a good time to end it but I've got two more specific issues I want to point out and one run in particular that, for me, is probably my favorite.  First up, and kind of spiraling out of the earlier mention of "Fatal Attractions" and the Jubilee stuff in #303:

Wolverine #75

In X-Men #25, thanks to a joke from Peter David, Magneto ripped the adamantium free from the skeleton of Wolverine which, in turn, prompted Xavier to mindwipe Magneto which, in turn, led to the creation on Onslaught which, in turn, led to the Heroes Reborn story which, in turn....see how it all goes with comics?

The ramifications of Xavier's mindwipe aren't the point here though.  The point is Wolverine #75, for its fancy hologram and horror-flick image cover, is one of the most touching issues of a comic you will read.  The race to save Wolverine's life while simultaneously returning to Earth from space is pulse-pounding, Xavier's willingness to risk his own life to get inside Wolvie's mind and help him is noble, the moment of Illyana's spirit shoving Wolverine's away from the light was touching as was the fact that is was Jean Grey's voice that pulled Logan back from the brink so he could save their lives.

Seeing Wolverine weakened from his ordeal yet forcing himself into a Danger Room scenario is, in it's own way, as heartbreaking as Illyana's death because he just can't cut it anymore.  Add to that the revelation that Logan's infamous claws are in fact bone and you have a true moment in X-Lore.  The real kicker to this story though, the one that makes it linger in my memory, is the letter (and his hat) that Wolvie leaves Jubilee when he departs from the team.  It is heartfelt, it is a look at the core of the man, and can bring tears to your eyes just as well as the words of UXM #303.

Sadly, and maybe this is why they linger so, the next story that comes to mind is also one of death and tragedy in the life of Logan:

Wolverine #57

Love has been a difficult thing for Wolverine to come by and for those of us who had followed his journey from his introduction to the X-Men pining after Jean Grey up to his first meeting with Mariko Yashida, you could see it was not something he gave freely.  

Time has taught us that Logan has certainly gotten around in his century-plus on Earth but the number of women that our beloved Canuck has deeply and truly loved has been few: Jean, Rose, Silver Fox, and Mariko.  Of those four men, only Mariko ever stood at an altar waiting to be Logan's bride only to have the machinations of Mastermind dash all those dreams to hell.  It was a manipulation that put Mariko into what I can only call a shame-spiral as, in the aftermath, she attempted to clean up her families criminal ties in order to make herself worthy of Logan's love.

The truly tragic thing was that those attempts to clean up the family were what ultimately cost Mariko her life, or rather, put her in a situation in which Logan had to choose: did he leave her to die a painful poisoned death OR use his claws to end her pain?  The failed samurai chose the latter, the mercy kill, and broke his own heart in the process when he "snikted" the claws into his love...in my mind the last woman he truly loved.

My heart broke for him then, my heart still breaks for him now thinking about it and reading over the recaps, and what makes it even worse...if that's possible...is that it was not the last time Wolverine would have to make that choice.  Whether intentional or not (and since Grant Morrison was writing it I assume it was intentional), Wolverine has to unleash his claws on Jean Grey in New X-Men #148 in hopes that it would unleash The Phoenix and save their lives.  If it didn't work, well then he would have two dead loves on his claws.

This story in Wolvie #57 was a picture perfect depiction of the tragic figure that Wolverine truly was at that point...

Uncanny X-Men #205, X-Factor #87, X-Men #30, X-Force (Vol. 2) #26/UXM #524, X-Men #100, UXM #143, X-Men #110....just off the top of my head those are some great single issue stories for various reasons, most of them tragic probably, but I want to close it out with a mention of one of my favorite runs. 

Uncanny X-Men #269

Uncanny X-Men #229

From Uncanny X-Men #229 until UXM #269, the lives of the various members of the team were in total upheaval.  It all started when, in the aftermath of "Fall of the Mutants", the team elected to fake their deaths in order to (a) protect their loved ones while (b) striking at their enemies.  It was an idea first floated out by Chris Claremont maybe two years prior in the aftermath of the "Mutant Massacre" but, in typical Claremont fashion, took years to come to fruition.

These forty issues saw the team set-up shop in Australia after deposing The Reavers from their very unique home, it saw the return of The Brood, the introduction of Genosha, Inferno, the team crumble in the absence of Wolverine & the "death" of Storm, the Siege Perilous, the Mandarin, Captain American, it saw a newer & stranger team born on Muir Island under the leadership of the repowered Banshee, it saw Jim Lee come to the fold as an artist, saw Gambit and Jubilee make their first appearances, did some crazy shit to Jean Grey in the Morlock tunnels, and eventually came full circle right before the "X-Tinction Agenda" by bringing Rogue back to Australia.

It was a crazy, experimental, unique time frame in X-history in which...for a long time...the traditional idea of what the X-Men team were did not exist.  There was no mansion, no Blackbird or Cerebro, no Xavier, it was an adventure unlike any that came before it or any that has followed it.  I think it is safe to say that, aside from Morrison's run, this is the most original section in the long history of the x-books and it was all guided by the words of Chris Claremont with the pens of men like Mark Silvestri, Jim Lee, Rick Leonardi, and Kieron Dwyer to bring those words to life.

If there is one issue though that I find a must-read over all the others it is this:

Uncanny X-Men #251

There are dozens upon dozens of stories in the 50 year publishing history of the X-Men that are worth your time.  These are only a tiny handful of those that have sprung to my mind in the process of writing this up.  Be it in trade form, in back issue hunting, or by downloading at Comixology or whatever website does stuff like that, these are well worth the read. 

In fact, the only X-Men stuff I would tell you to avoid is any crap written by Chuck Austen or Frank Tieri.  The worst....

Now bring on The Battle Of The Atom!!!

AvX or if you prefer...why it might all Captain America's fault...

So at first I was planning on sitting down and re-reading the entire 13 issue series (Zero issue + 12), none of the tie-ins...not Versus or Uncanny or Wolvie & The X-Men, nada, and see how it read in-completion on its own merit.

...Then I changed my mind...

Well, not exactly...

See I am still going to do that, just not right now.  Rather I am going to sit here at my computer on October 26th, and right down what my more immediate thoughts are on Marvel's big crossover of the year without notes or even a single issue of the comic right in front of me.  These are simply the notions that come to my head when reflecting back on the last six months that was supposed to change the face of the Marvel landscape.  Did it? I guess I will see when I get to that point in my random train of thought of which I guarantee will contain multiple jumping of the tracks. 

After I'm done with this...rambling (?)...then I will sit down, read the crossover in a proper fashion, and add on to this blog with my post-reading reflections, demarcating the date to show when I start the re-read. On to the stream of consciousness:

First off when I think of the idea of Avengers versus X-Men, I think of something more along the lines of what Civil War was with the Pro-Registration vs. Anti-Registration idea. 

It's a story where you can truly get behind one team or the other depending on whose perspective you agree with and essentially that is how I felt this story started out with Captain American deciding he needed to take Hope into custody to protect the world from the Phoenix Force while Cyke, who has been banking his hopes for the mutant race on this girl for the last five years (real time), wants to let the Phoenix Force come and save them all.

Okay now given the whole conceit of this story being their differing opinions on Hope & the Phoenix Force, my immediate question was why the hell does Captain America suddenly give a flying fuck about the Phoenix and on what personal experience is he basing his fears?

The original Phoenix, the one who took on Jean Grey's form, had zero interaction with the larger Marvel U outside of one panel with Spider-Man and Dr. Strange acknowledging something was happening...no Cap to be seen there. He, nor any Avenger save Beast, were a factor when she killed the planet of the broccoli people, came back to Earth, ended up on the moon, and sacrificed herself when Cyclops couldn't bring himself to kill her.

The next time we saw the Phoenix force it was in the form of the time-traveling Rachel Grey and she was nowhere near the power-level of her "mom" nor was she ever the Dark Phoenix threat...nor were there any Avengers...

Let's see then we have the dance of the Phoenix around Inferno time between Madelyne Pryor & the real Jean Grey around who had been hanging out recovering in a chrysalis at the bottom of the ocean since the Phoenix entity assumed her form. Rachel Summers was back in the picture around that time too and was rocking some kind of Phoenix power. No Dark Phoenix threat there...no Avengers either.

Jean reclaimed some aspect of the Phoenix power during a jaunt into space with X-Factor with the Celestial War. Not to get too detailed but Jean was struggling with her own memories, Pryor's memories, and the Phoenix as Jean Grey memories all residing in her brain and was shifting personalities.  It all got resolved, no Dark Phoenix threat here...

Over the years, various writers have teased at a full-on return of Jean Grey as Phoenix, including her redonning the Grey & Gold costume and reclaiming the codename, but it wasn't until Grant Morrison that Jean Grey became the full-on Phoenix...just in time to die at the hands of Xorneto (don't ask). From there the Phoenix force splintered...I guess....because Rachel Summer (now Grey) still had a piece of it, the Stepford Cuckoos had some, Quentin Quire did at one point, some Shi'ar guy had a sword made of a piece of the Phoenix, it came back to Earth in a pair of 'Song mini-series' barely acknowledged anywhere but of which elements have been used (Stepfords & Quire) elsewhere. All that random Phoenix-ness but in none of it did Captain America get involved nor seem to give a damn about what was going on with the mutantverse but more on that in a second. 

My point in all that Phoenix talk, the initial thought that went through my head in this whole Cyke-Cap debate, was that only once in it's comic book history was the Phoenix ever depicted as the universe destroying threat, only once was the Dark Phoenix ever truly in existence.  The odds are that it won't be a bad thing for the Phoenix to come back to Earth & given how many times it emerged between Dark Phoenix and AvX, it was uber-irritating to have that be treated like the ONLY Phoenix incarnation that ever occurred.

That's just a random assortment of Phoenix images for your perusal...only two of them were evil, the rest were benevolent and heroic types.

So back to Captain American real quick, he's a dick...bottom line...from a story standpoint, from a character standpoint, if some guy who had never shown the least bit of interest in your life suddenly swung by your house and told you that everything you're doing is wrong and that he's going to tell you how to run your life and your family and that he knows better than you, how would you feel? 

Because that is essentially how I read this completely out-of-character version of Captain America...he's a bully and a dick and is talking about issues which neither he nor Tony Stark nor the rest of the Avengers really know anything about and Scott reacts accordingly.  That is why in the title up there I say Captain America might be the one to blame here and this entire knee-jerk reaction from he and The Avengers could very well be the cause of all of this crap that goes down over the rest of the story.

For a story that is 13 issues long overall, it certainly felt like the escalation of the conflict is very rushed though when it could have used some time to truly build up to it. I mean it's not like there was any real concern from the Avengers or Cap about what Scott had been doing on Utopia for the last few years. It was just "hey don't do that" then "ZAAAP eat my optic blast"....

Then we get a Wolverine I don't know if I recognize who is flip-flopping from side to side and rather indecisive about where he stands which is not a Logan I really have ever seen.  He is, and has always been, a man of certain honor and conviction, obviously based on the nature of Schism (which, by the way, drives me nuts when the characters actually refer to it as "the schism" when they talk about the Cyke/Wolvie situation). So his whole sleight of hand or indecision or whatever it was supposed to be with Hope just, well it just didn't work for me him saving her then deciding to turn her over to the Avengers. 

And in that same vein, and I did warn my mental train would jump tracks, what the hell was up with this:

Seriously what the hell was up with deciding to, out of nowhere, merge the Iron Fist history with the Phoenix Force history?  Wasn't feeling it, didn't see the point, just felt like a forced way to create a shared back story and a way to kill time with Hope by having her train in Kun'Lun.  It disappointed me the way Hope became an afterthought in a story she should have owned but then again, I suppose if she had been an actual part of her own story the AvX maxi-series would have been a much shorter mini-series.  Instead we get the split of the Phoenix Force between these five:

And, from what I can recall, not a great deal of explanation for the reasons why it bailed on Hope and took those five instead.  My brain tells me that the Phoenix Force was always intended (by the entity not the writers) to be split over some form of multiple people, hence the Five Lights but now one is dead so it looks like Phoenix is finding the next closest thing and ends up in five of the most powerful mutants around.  Still this is all assumption because to the best of what I remember in the mini, the issue wasn't really addressed as to why the Five Lights mattered and their presence was nonexistant after all that build up, but I guess we shall see with the re-read later on if this question was answered.

So the Five go about saving the world but slowly are losing their shit because, as it often does "absolute power corrupts absolutely" and in the meanwhile Captain America is making the situation worse by rallying his troops to....stop them from saving the world and exacerbating the 5's control over their pieces of the Phoenix Force.  So it is a bad thing that Cyke & crew are stopping war and ending famine because of what they MIGHT turn into if they lose control over the Phoenix force.  Regardless of the fact that all of them DID lose control, the battle was being fought by Cap & The Avengers based on the idea of what MIGHT happen...

Cyke is obviously getting more out of hand as the story progresses, Magik is keeping Avengers prisoners in Limbo, we get a neat little callback to House of M with the "No More Avengers", Emma Frost knows she is losing control, Namor goes batshit and decimates Wakanda which then leads up to the whole Highlander twist.  "Kill" one Phoenix entity and its power then disperses between the remaining hosts...cute.  Namor gets beaten first, then Colossus & Magik knock each other out thanks to Spidey (probably the best issue of the whole series because Peter Parker comes off amazing...yes that pun was intended), leaving Emma Frost to get taken out by Cyke to officially make him the complete Phoenix.  Then, just to insure we know he is the big bad of the series and that it is absolutely impossible to take his side, he offs Professor Xavier to which I utter "really?" and then groan because it is possibly the tenth time I have seen him "die" in my comic book reading career. Besides...that body was a clone body anyway, not even the original Charles Xavier body, just his original brain...look up the original Brood story if you are curious...

So now Cyke is the Dark Phoenix and I seriously believe this wasn't JUST a case of Scott Summers losing control here. As with the original Dark Phoenix incarnation, he had a prodding factor.  For Jean Grey it was the machinations of Mastermind and the Hellfire Club that truly allowed the darker side to take charge. In the case of Cyke, Namor, Collosus, Magik, and Emma Frost I do believe it was the constant barrage of Captain American and his army that kept pushing and pushing until that above image became a reality.

So after 12 issues of build-up to this moment, it does make sense that murdering Xavier would be the final push over the edge...it is just so unfortunate that Xavier has become such a non-factor that his death is nowhere near as meaningful as it SHOULD be in my mind.  Charles Xavier had become irrelevant to Cyke after the revelations of Deadly Genesis in which Scott found out Chuck hid the existence of brother Gabriel from him and Alex....

...Speaking of which, how is it we got no interaction between Cyke & Alex after Havok returned to Earth where Scott at least said "hey what happened to our other brother anyway?"...

The state of the relationship between Chuck & Scott not withstanding, I'm not saying a...sober...Cyclops would be just as willing to kill of Xavier, just saying that Cyclops had written Chucky out of his life in anyway that truly mattered.  Hell, mutantkind had basically written him out and his opposite Magneto had become Cyke's right hand man and do you know why?  It's because Cyclops achieved what NEITHER of them could...he unified the majority of remaining 198 (or whatever number it was) post M-Day.  He may have segregated them to an island but they were generally together (like Xavier wanted) and weren't trying to slaughter humans (like Mags wanted once upon a time).  In fact, Cyclops had even put his team out there as a force for good a la The Avengers or FF if they were wanted but the government, under the leadership of Norman Osborn mind you, screwed the pooch on that one.

Yeah so killing Xavier is a whatever gesture after all these years and for me didn't have the weight of say...Nightcrawler's death during Second Coming.  That brought tears to my eyes, that was powerful...

So after all this fighting, after intentionally putting all the power of the Phoenix into the hands of one man, the day gets saved by Hope (finally becoming relevant to a story that should have been her's all along) holding hands with Scarlet Witch (the cause...kind of, apparently Dr. Doom has some blame thereby making Wanda look not quite so evil...of all this to begin with with her "No More Mutants" wish) and wishing for "No More Phoenix".

Cyke goes to jail (which kinda reminded me of Xavier post-Onslaught), a new mutant spontaneously generates powers thus somewhat justifying Cyclops' stand in the first place, and Captain American FINALLY realizes that he might have some responsibility in creating this situation in the first place. Glad it took him 12 issues, forcing an empty war based on MAYBE and WHAT IF, and nearly destroying the globe to realize that one...

Overall I can say this was an empty war and not one in which the reader really had the option of choosing sides after a certain point.  It wasn't something that crossed my mind until a conversation with one @DukeMcNulty but yeah, I would say Marvel took the idea of choosing sides completely out of the equation at a certain point.  When it became obvious that the Phoenix Five were off their collective rocker and tossing dudes in Limbo if they were dissenters, the possibility of even supporting their efforts went out the window...multiply that feeling times a thousand when Cyke killed Xavier.  By then end it wasn't a Civil War type battle where both sides had valid points, it was more like Shadowland where one guy ended up completely batshit and nearly irredeemable.

Which brings me to the biggest, most nagging thing for me about this whole crossover.  The Cyclops we saw at the end of AvX, the "see I was right" Cyke that has been portrayed in Consequences, that Cyclops WOULD have become the reality even without the possession by the Phoenix Force.  Hear (read?) me out...

Ever since the beginning of Morrison's New X-Men run, and stemming from his possession by Apocalypse, we have seen Cyclops grow into a true leader, a force to be reckoned with, all the best elements of both Xavier and Magneto to be frank.  Following M-Day he had to kick it up another notch because he was now fighting for species survival, the birth of Hope took him down an even darker path because he allowed her to be shipped off in time to protect her (as he did with his own son who would become Cable), he formed X-Force to take care of problems in a very direct, murderous fashion, took on a piece of the Void (who knows if anyone remembers that plot point), exiled his people to their own nation, then saw Hope return and his goal start to come to fruition when she began to activate new mutants.  Then the Phoenix force shows up and of course he thinks it's a sign that he's been on the right path all along despite his questionable actions and decisions.  He was the guy ultimately willing to take any bullet, to risk everything, to become the villain if it meant his people were saved. That path would either have led to glory or to gore, and honestly if you extend it down a slightly longer timeline, if you allow for his increasingly militant nature to consume him, Cyke would have lost his shit all by himself without need for the Phoenix Force.

That is where I think I have an issue...I hate the out that possession allows for, that's a big part of the reason I hated Shadowland.  Daredevil didn't need to be possessed to fall down that hole, his entire life had been heading there since the day Kevin Smith killed off Karen Page and then Bendis, Brubaker, and Diggle sent him through 900,000 forms of hell.  That possession gave him an out and made it so Matt Murdock wasn't quite so terrible a person...same goes for having Dr. Doom play a role in Wanda's breakdown...takes away from the reality of what happens when people lose it all.  I know reality is a loose term given we are playing in the world of superheroes, but part of the fun is putting them in a real situation and seeing how it would play out. 

Every day people...good people...they break, they lose their minds to depression and heartbreak and sadness and fall to pieces in often horrible ways.  Multiply that times a million for the world of superheroes and you can see what happens when a person of great power naturally loses their control. Daredevil would have killed Bullseye on his own, Scarlet Witch would want to get rid of the people she blamed for his troubles, and Cyclops would willing go down a dark path to save his people...they didn't need outside influences to push them down that road and having that just gives them an out to make them seem not quite so bad.

As far as the aftermath, well again thanks to @DukeMcNulty, I was given a nugget to think about.  Cyclops did all of this terrible stuff under the influence of another entity...a cosmically powerful, potentially world destroying entity, but an outside force nonetheless.  When did Daredevil, Scarlet Witch, and Winter Soldier all commit their worst crimes? And did that stop any of them from becoming Avengers or put them away in jail?  Hell part of my problem with the new DD series initially was how the Shadowland stuff was just swept under the rug like it never happened and Murdock just started lawyering it up again like no big deal.  It's not exactly unprecedented for some hero to commit terrible acts under the influence of another force and end up protected by their fellow heroes.  To be fair, off the top of my head, only Wanda, Scott, and Xavier as Onslaught nearly decimated the world though...

Not a big fan of some of the ways Cyclops has been portrayed post-AvX....I do think he would proudly walk around wearing a "Cyke was right" T-Shirt but I do not, could not, ever see him calling himself a martyr for the cause.  My perspective on Cyke is that, despite all of this, despite killing his one-time father figure, he would tell you to look at the evidence and then tell him if you still think he was wrong. Scott Summers would not back down from his convictions even under lock and key, but the Cyclops I have seen evolve in the last ten years would not want Wolverine to "martyr" him, much less refer to himself as one, unless he was perhaps doing it to get one last "fuck you" at Logan for picking the side he did.

Do I think Cyclops is irredeemable? No, no I don't but I do think he has a loooooong road to travel before he can show his face in public. I also would like to see more of the general public's reaction to the events of AvX...it was series I actually think could have benefited from a Frontline-type book rather than the overall pointless Versus series. How did the public view these mutants saving the world, feeding them, ending wars? How did they view Cap & the Avengers trying to stop them?  What's the feeling towards mutants now?  These are the questions I have and I guess I will have to see if they are answered in any form, if the wake of AvX is long-lasting or only felt in the MarvelNOW!!!!!!!!!!!!!! short-term. 

Well this rambling is at a logical close I suppose...I will revisit this subject after I have a chance to sit down, reread the series, and take notes as I go. Until then, I've got half of the Invincible Omnibus Vol. 1 to finish reading, half of "Clash of Kings" to finish reading, and a bunch of other random discount bookstore Marvel Hardcover purchases to knock off too!

X-Men: Schism....really? (SPOILERS AHEAD)

 

Pretty bad ass image right there huh?  Make you think Wolverine & Cyclops are going into a serious throwdown with one another doesn't it?  Makes you wonder just what could drive these two men who have essentially been the two pillars of the X-Community since the move to San Francisco & the founding of Utopia.  Cyclops has been the general, leading his army into war, and Wolverine serving as his first in command, carrying out orders with little question, willing to get down and do the dirty work with his secret X-Force cabal. Yes there have been some rough patches in the road, especially with Cyclops' insistence on X-23 & Wolfsbane being a part of the initial incarnation of his X-Force, but for the most part Wolvie acted like a good soldier, taking care of the wetwork in secret.

Obviously that all got blown to hell when X-Force was outed during "Second Coming" but it didn't stop Wolvie from forming Version 2 underneath Cyclops' radar with a different band of mutants. 

So there's groundwork laid out I suppose for the philosophical tensions between Wolverine & Cyclops that are obviously the basis for Schism, shallow though they may be....it's the depths to which these issues are explored that I find shallow, not the issues themselves.

So there's lots of death in X-Force, there are various attempts to salvage the mutant race as depicted in Uncanny X-Men, Wolverine is running off with pretty much every team that exists in the Marvel U, and there's very little done to push a burgeoning issue between the two X-Leaders, certainly nothing that justifies the image I started this blog with.

"Second Coming" comes and goes, Wolverine has some issues with Hope that are weakly, at best, laid out an issue of Uncanny X-Men, shows a minute interest in the Generation Hope cast as a whole, and then we're dumped into the whole "Prelude to Schism" mini.  I may be skipping some beats here as I am doing this primarily from memory, with a little google referencing for accuracy to issue references (turns out that was actually necessary given that I couldn't remember if the Wolvie/Hope story was a UXM or GenHope story), but that's being done with purpose.  I really wanted to see how much of the build-up to "Schism" actually stuck with me in any sort of relevant manner.  

So the "Prelude" books dance around the impending threat that is heading toward Utopia (I guess this little aside takes place between issues 3 & 4? Sometime during issue 4? During GenHope 11?), but certainly presents that threat as the impending death of everything on Utopia, totally unavoidable annihilation of the mutant species, so much so that is requires four different issues from the perspectives of Cyke, Wolvie, Magneto, and Xavier to decide if it's a fight or flight.  Obviously they decide on fight, now it's just a matter of reading the actual "Schism" story to find out just what they're fighting.  Suffice it to say that when the two stories finally converge, "Prelude" really feels misleading...

Alright now it's time for "Schism"...the big event that we discover (can't quite remember if it's before or after the story starts) will ultimately tear the team asunder, shuffle Wolverine & crew off into his very own team book, and hit reset on Uncanny X-Men with a brand new #1 issue!  Honestly getting all that information prior to the conclusion of the story sucked and certainly sucked the life out of "Schism" for me because it boiled the story down to one question: what cause the schism?

It was a moment I kept waiting for throughout the first 3 issues; with the return of Quentin Quire (which should have felt bigger than it was), the baby Hellfire Club, the mutant museum, the rebirth of the Sentinels, none of it feels particularly important.  The moments of tension with Wolverine & Cyclops feel just like that...moments, moments that could lead to a bigger issue down the line yes (maybe if down the line was a year's worth of stories like this), but nothing to justify the huge rift we all know is coming by issue 5.  Wolverine & Cyke have bonded like never before in the years (Days?Weeks?Months? Who knows in comic book land) since Jean's death and none of this seems like a payoff, just more build-up.  As I read the first 3 issues I found myself constantly wondering "Is that it?", I was constantly waiting for something more to happen to give a logical reason for this rift in the relationship of Scott Summers & Logan.  It never came...

Idie killing the Hellfire Club goons to save lives is a terrible thing for a child to have to endure no doubt, and when that kid already thinks they're the Anti-Christ it only exacerbates the situation.  Idie is most certainly a damaged kid,  but what interest have any of the X-Men shown in these kids since they were introduced?  Cyclops & Hope both want them to be soldiers, Wolverine hasn't given a damn, the end.  Where does Wolverine's sudden interest in her mental state come from?  Yeah it's pretty brutal that she had to kill some people, yes it is awful when she later expresses that she thinks it's just part of being an X-Man, but as the whole foundation upon which a philosophical Grand Canyon is built?  Seriously?  I've been reading X-Books as long as I've been reading comics and Idie killing a few people is far from the worst thing that has gone down between Cyke & Wolvie, to say nothing of incidents that deservedly drove wedges between characters (say perhaps Prof. X hiding the existence of a brother from Cyclops).

And while the visual of a Wolvie & Cyke fighting it out while a giant Sentinel looms over Utopia is quite cool, the two of them scrapping after the robot makes landfall is pointedly ridiculous.  This isn't Wolverine & Angel from the added pages of Classic X-Men #1, these are two men who have gone through hell together for years now who are giving their personal grievances import over the impending doom of Uber-Sentinel.

A quick aside RE: Uber-Sentinel....really? Seriously? Go back to "Prelude" and see that this one Sentinel is putting the fear of annihilation into every living mutant on Utopia, including those on the Alpha power levels of Magneto, Xavier, Storm, & Cyclops?  These are the warriors who faced down Dark Phoenix, the entire Shi'ar galaxy, the Legacy Virus, X-Tinction Agenda, Cassandra Nova & her wild Sentinels, Magneto himself...and they are quaking in their boots over a one freakin' Sentinel!  Now go back to "Schism" proper, issue 5, and now that Sentinel is barely an afterthought, dispensed of by the populace of Utopia without anyone really being in danger of a stubbed toe at the hands of Uber-Sentinel much less death.  Wolverine & Cyclops do more damage to each other (Claws through the hand? Damn!)

The total lack of words, captions, sound effect, etc during the majority of this issue is a neat effect, I assume trying to put the emphasis on the violence being perpetrated by two friends upon one another, and it makes sense given that most people wouldn't speak in soliloquies while spitting teeth in blood.  It's just an odd choice given that X-Books tend to be overly expository, especially in combat situations.

So the Wolvie/Cyke knockdown drag-out ends, Uber-Sentinel gets beat, some caption boxes over the top of moving day lay out the aftereffects, and Wolvie's crew heads back to the mansion that has been left in complete rubble since..."Messiah Complex" I believe.  That was probably the coolest moment of the entire "Schism" series for me right there... but man, you'd think these X-people would care enough to at least rebuild their ancestral home even if they haven't been living there recently.  That's just rude...

So when all is said and done...I think it's pretty obvious I'm let down by this entire experience.  I don't think there was enough meat to justify the Scott/Logan rift, I don't think there is any question that the hype-job the "threat" got in "Prelude" was overkill, and I'm really disappointed that this was how the landscape-changing event went down.  "Messiah Complex" and "Second Coming" were far, far better stories that actually conveyed the possibility of a real threat to the mutant race, that actually paid off LEGITIMATELY built-up issues while simultaneously paving the road for future arcs.  Those stories did not feel forced, did not feel thrown together to accomplish some sales-boosting goal (What else would you call two new #1's?), and I would liken them more to "Messiah War" and "Necrosha" as opposed to the other two recent X-Overs.

All in all, I label "Schism" as a fail, not an absolute fail because I found the art in pretty much every issue to be quite good.  I absolutely hate having a different artist on every ish of a book like they did here (and DC did in "Return of Bruce Wayne") but at least it was good art.  Some small issues here and there, but it would just be nit-picky stuff, mostly with Acuna's art.  It also presented some interesting storyline points going forward as far as the overall fallout from "Schism" & its impact on the rest of the X-Family of books (it can't/won't be as simple as these guys hopped on this bus while the rest hopped on the other bus) as well as providing some intriguing concepts in the L'enfant terrible incarnation of the Hellfire Club, the reborn Quentin Quire, and the reemergence of a Sentinel program amongst governments worldwide.  I guess we shall see what Regenesis brings us in the coming months...I just hope the bricks building this new house turn out stronger than the foundation...